As the world's first commercial water-based artists' acrylic, Liquitex has been the home of acrylics for all artists, since 1955. The word parchment evolved from the ancient Greek centre of parchment production, Pergamon. It is made from a coal tar pigment and when undiluted, can be used as a deep black. Originally Sap Green was a lake pigment made from unripe buckthorn berries. This replicates the brightness, coverage and intensity of traditional cadmium red colours. A clean deep blue, transparent, single pigment colour. Impasto … Semi-opaque, the colour has a gleaming reflective lustre closely resembling polished silver metal. Safari,
A cadmium-free opaque mid red-orange with high tinting strength. A mixed pigment hue, the original Hooker's green pigment was created by 19th century English botanist and illustrator William J Hooker. A mid blue-red single pigment colour, which is semi-transparent. A zinc oxide-based transparent white with reducing tinting strength, making it ideal for strong tints, glazing, and toning down colours. This is a single pigment arylide yellow, first introduced in 1928 by the German company Hoechst. Gel Medium Gel Medium is a white creamy medium (not pourable, for the most part) that comes in different viscosities and different finishes - gloss, matte, and semi-gloss - giving painters a wide range of ways to add body and texture to paintings, from impasto techniques to textured glazes. An opaque dark purple made with a blend of pigments - phthalocyanine blue (blue green shade), quinacridone red and quinacridone burnt scarlet. Its name stems from the traditional method for obtaining the pigment: roasting ivory. The paint you've previously known as Liquitex Medium Viscosity Acrylic Artist Color is now called Liquitex Professional Soft Body Acrylics. Burning the raw pigment intensifies its colour. Raw umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Heavy Body Artist Acrylic Paint, also referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. This is a rich blue opaque colour with green undertones. This is an opaque colour made up of multiple pigments. If you thought Soft Body was just a watered down Heavy Body, you’d be wrong. A cadmium-free bright yellow opaque colour with excellent tinting properties. The low-odor acrylic resin base represents the latest in acrylic resin technology, offering increased open time and producing colours of great clarity with very low wet-to-dry value shift. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. A vivid mid range pink made with polymer coated dyes to give instant fluorescence. Highly transparent, this recreates the true viridian pigment and is a good colour for glazing. 4.5 out of 5 stars 241 ratings. A bright brown single pigment earth colour with a yellow undertone and high opacity. A deep, cold blue-green multi pigment hue. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. A brilliant white single pigment colour, which offers the strongest, most opaque of all whites. Please refresh your browser and try again. That means that if you have an ounce of heavy body paint, you’ll need to add 6 ounces of medium to thin it out, as opposed to a craft paint, where you’d only need to add one ounce of medium. Heavy Body Artist Colour, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Use it to paint, pour, glaze or print on almost any surface. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. A single pigment opaque bright blue green, named after the semi-precious stone that was exported to Europe from Persia via Turkey. The azo pigment is a synthetic organic originally developed by the German Hoechst company in the early 1900s and first became popular as a textile dye. The paint films are highly flexible, durable, non-yellowing, UV resistant, water-resistant and pH neutral when dry. A rich dark brown single pigment colour. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. An opaque soft, warm grey with red-purple tones, made with a blend of pigments - phthalocyanine blue (blue green shade), dioxazine purple and arylide yellow. There are currently no reviews for this product. A bright brown earth colour with a yellow undertone and high opacity. The original pigment was first used by Dutch artists but has not been available since the 1920s and it's origins have always been surrounded in mystery and debate. A light and vibrant green-yellow opaque colour, made up of a number of pigments including phthalocyanine green. Color Name: Cadmium-Free Red Medium. It is a clean red which mixes well with other colours. Invented in 1955, this low viscosity paint was the world’s first water-based artist’s acrylic. Discover our story here. A cadmium-free opaque deep blue-red with high tinting strength. Sorry, an error occurred while trying to load the basket popup. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy. The current pigment was created by French chemist Guimet in 1828 as a synthetic, but chemically-identical alternative. A cadmium-free deep yellow opaque colour with orange tones and excellent tinting properties. They offer the same great performance, light fastness and vibrancy as existing cadmium paints but are safer for artists to use than those containing cadmium. Refine. An opaque pinkish-yellow, popular in the Renaissance. A warm metallic bronze with pink-orange tones. The current pigment was created by French chemist Guimet in 1828 as a synthetic, but chemically-identical alternative. A warm metallic silver. Naphthol is a modern synthetic organic pigment developed in the early 20th century. A rich dark green semi-opaque colour with a yellow tint. A stable all-round single pigment black with brown undertones and excellent tinting powers. The full range of 100 colours is available in 59ml bottles, with Titanium White available in larger bottles. A metallic brilliant gold. A vivid mid range red colour made with polymer coated dyes to give instant fluorescence. I like the smooth strong consistency of this paint. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a opaque colour with red-brown tones. A warm, semi-opaque yellow with brown tones, this is a recreation of a historical colour patented by William Turner in 1781. This website requires the use of cookies in order to function. Opaque deep rose pink made with a blend of pigments including phthalocyanine mixes well with colours. 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