... (3 episodes, 1980) Tom Clegg. [8] During this time Hinds met Spanish émigré Enrique Carreras, a former cinema owner, and on 10 May 1935 they formed the film distribution company Exclusive Films, operating from an office at 60-66 National House, Wardour Street. [30] Peter Cushing again had top-billing, this time as Doctor Van Helsing, whilst Christopher Lee starred as Count Dracula, with direction by Terence Fisher and a set design by Bernard Robinson that was radically different from the Universal adaptation; it was so radical, in fact, that Hammer executives considered paying him off and finding another designer.[31]. In May 2007, the company name was sold to a consortium headed by Dutch media tycoon John de Mol, who announced plans to spend some $50 million (£25m) on new horror films. His most recognizable role for the studio was as Count Dracula, but he also portrayed Frankenstein’s monster and the Mummy. For the song by Kate Bush, see, For a complete list of films by Hammer Film Productions, see. In America, eight episodes from the series were broadcast as four made-for-television films consisting of twinned episodes along with new segment introduction footage provided by actors Patrick McGoohan, Sebastian Cabot and Joan Crawford serving as hosts. Barbara Shelley — the Hammer icon known as "the first leading lady of British horror" — has died. The huge box office success of The Curse of Frankenstein led to the inevitable desire for a sequel in The Revenge of Frankenstein, and an attempt to give the Hammer treatment to another horror icon. The talent agency, Dr Morelle - The Case of the Missing Heiress, Learn how and when to remove this template message, The Phantom Raspberry Blower of Old London Town, Wallace & Gromit: The Curse of the Were-Rabbit, BFI Most Wanted: The Public Life of Henry the Ninth, "Why Christopher Lee's Dracula didn't suck", "We Chat with Hammer Chief Simon Oakes about Christopher Lee's Return to Horror and the 'Let the Right One In' Remake! A good chunk of those movies were Hammer Horror. Audrey Field reported on 10 October 1956: "We are concerned about the flavour of this script, which, in its preoccupation with horror and gruesome detail, goes far beyond what we are accustomed to allow even for the 'X' category. And shocking. The actress, born Barbara Kowin, was 88 years old. Now set in a new Dracula timeline, Peter Cushing appeared in both films, playing Professor Lorrimer Van Helsing, as well as his own grandfather (Lawrence Van Helsing) in the prologue of the first of the two films. The series was first aired on ABC from September 26, 1968 to January 30, 1969, prior to broadcast in the UK on ITV during 1969. The Best! Production designer Bernard Robinson and cinematographer Jack Asher were instrumental in creating the lavish look of the early Hammer films, usually on a very restricted budget. Hammer House of Horror Edit. Hammer produced seven/eight other Dracula films between 1960 and 1974: The first five were direct sequels to the original. ... (2 episodes, 1980) Alan Gibson. Despite the success of The Curse of Frankenstein, the financing of Dracula proved awkward. The house, virtually derelict, required substantial work, but it did not have the construction restrictions that had prevented Hammer from customising previous homes. THE EXORCIST 4 (2004) Stellan Skarsgard - WTF Happened to the Horror Movie FATALE Clip - "I'm Val By The Way" + Trailer (2020) SOUL Featurette - "Tina Fey Tries Everything" + Trailer (2020) Van Helsing to battle vampire Baron Meinster (David Peel) and the film makes several direct references to the 1958 original. The house was renamed Bray Studios after the nearby village of Bray and it remained as Hammer's principal base until 1966. They featured a cast as diverse as Peter Cushing, Brian Cox, David Carradine, Stephanie Beacham, Diana Dors and even Pierce Brosnan. The number of set-ups scripted is quite out of proportion to the length of the screenplay, and we suggest that your rewrites are done in master scene form. The initial success of the Hammer Horror series led to tributes and parodies: "Hammer Horror" redirects here. “When I first started doing Hammer, all the so-called classic actors looked down on the horror film. In September 2019, Hammer signed a worldwide distribution deal with StudioCanal for its catalogue. In June 2010, it was announced that Hammer acquired Wake, a script by Chris Borrelli for an action feature to be directed by Danish filmmaker Kasper Barfoed. [13], On 12 February 1949, Exclusive registered "Hammer Film Productions" as a company with Enrique and James Carreras, and William and Tony Hinds as directors. The company signed a one-year lease and began its 1951 production schedule with Cloudburst. Hammer Horror film series (1958–1974) The original series of films consisted of nine … In the summer of 2009, Hammer produced in the U.S. In 2010, Hammer, in partnership with Overture Films and Relativity Media, released Let Me In, a remake of Swedish vampire film Let the Right One In.[46]. Hammer Film Productions is celebrated for a series of Gothic horror films made in the 1950s, '60s, and '70s. Barbara was popular for her roles in classic horror films which were produced by London-based Hammer Film Productions, including The Gorgon, The Pit and Quatermass. Hammer's financial success also meant the winding-down of the parent film distribution company Exclusive, leaving Hammer to concentrate on filmmaking.[26]. The Evil of Frankenstein stars Cushing but due to an agreement made with Universal to more closely pastiche their version of the Frankenstein story, it re-tells the Baron's history in flashbacks that bear no resemblance to the two earlier Hammer Frankenstein films, and portrays the Baron with a very different personality, resulting in a film which permanently breaks the chronological continuation of the series. The success of The Quatermass Xperiment (1955; The Creeping Unknown in the U.S.) led to two sequels: There were also two Quatermass-style films: Six sequels to The Curse of Frankenstein were released between 1958 and 1974: All starred Peter Cushing as Baron Frankenstein, except The Horror of Frankenstein (which was not a sequel, but a tongue-in-cheek remake of The Curse of Frankenstein), in which Ralph Bates took the title role. [40] Hammer was not the same without him; it responded to the new reality by bringing in new writers and directors, testing new characters, and attempting to rejuvenate their vampire and Frankenstein films with new approaches to familiar material. Hammer produced three other mummy films between 1964 and 1971: These mummy movies had stories and characters unrelated to the 1959 film and all three were relegated to second feature status, as by the mid-1960s, Hammer's films were often intended for double features. 17 episodes of approximately 50 minutes each were produced by Hammer Film Productions and 20th Century Fox Television. They play out a 1950s reverie of contagion, lust and post-Suez anxiety. Establishing the fanged vampire in popular culture, Lee also introduced a dark, brooding sexuality to the character. After a few quiet years, the film The Lodge had its world premiere at the Sundance Film Festival on 25 January 2019. The Legend of the 7 Golden Vampires (1974), a co-production with Hong Kong's Shaw Brothers which attempted to combine Hammer's brand of horror with the martial arts film, and To the Devil a Daughter (1976), their third adaptation of a Dennis Wheatley novel, were both quite successful at the U.K. box office, but Hammer were unable to capitalise on them as most of the profits went to other financial backers. See more ideas about hammer films, hammer picture, hammer horror films. Barbara was born in London and began her career as an actor in the mid-1950s after moving to Italy. In addition a great deal of polishing and additional material was needed, as the short script had an estimated running time of just 55 minutes, far less than the minimum of 90 minutes needed for distribution in the U.K. Madeline Smith. • Michael Carreras, a.k.a. Rosenberg would often claim he 'produced' The Curse of Frankenstein, an exaggeration repeated in his obituary. Simon Oakes, who took over as CEO of the new Hammer, said, "Hammer is a great British brand — we intend to take it back into production and develop its global potential. [47] In February 2012, the Hammer and Alliance Films adaptation of The Woman in Black was released. In this film, it was bright red, and the camera lingered on it. Dracula was an enormous success, breaking box-office records in the U.K., the U.S. (where it was released as Horror of Dracula), Canada, and across the world. Questions of guilt circulate in these films, where the virtuous can be transformed into vampires through one moment of sexual weakness...[52], This was a fantasy, science fiction and supernatural anthology series which dealt with normal people in everyday situations that found themselves having to experience something out of the ordinary. In the latter part of the 1970s, Hammer made fewer films, and attempts were made to break away from the then-unfashionable Gothic horror films on which the studio had built its reputation. The actress was best-known for the Hammer Horror films as well as Doctor Who. — Hammer Horror Films (@HorrorHammer1) January 4, 2021. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. They included some of the most explicit scenes of lesbianism yet seen in mainstream English-language films, along with a corresponding increase in sequences involving nudity, despite otherwise traditional Hammer design and direction. This morning the actress passed away after contracting COVID-19, her agent confirmed. Roman Polanski's Rosemary's Baby was a successful example of psychological horror, while Bonnie and Clyde and The Wild Bunch exposed mainstream audiences to more explicit gore, and were more expertly staged than Hammer films. Series Directed by. This put the project at risk of a copyright infringement lawsuit by Universal. length as their previous series, but it was decided to expand them to feature-length to market them as 'movies of the week' in the US. The actress - who starred in 1950s and 1960s Hammer Horror films - acted with other icons including Peter Cushing and Christopher Lee. Michael Gough. Shown on ITV, it ran for 13 episodes with a running length of approximately 51 minutes each. Hammer made its first color horror film in 1957, and the color was blood red. "[23], Regardless of the BBFC's stern warnings, Hinds supervised the shooting of an unchanged script.[24]. The film was produced in collaboration with the Swedish company Solid Entertainment, makers of the vampire film Frostbiten, which pays homage to the Hammer vampire films among others. They eventually entered talks with Associated Artists Productions (a.a.p.) A legal agreement between Hammer and Universal was not completed until 31 March 1958 – after the film had been shot – and was 80 pages long. [17] In 1953 the first of Hammer's science fiction films, Four Sided Triangle and Spaceways, were released. [49], — Martin Scorsese on the heyday of the horror movie.[50]. Michael Carreras' letter to Max Rosenberg, quoted in Kinsey, p51. It's not a comedy, but it's got a comic title. Regarding the script of X the Unknown, one reader/examiner (Audrey Field) commented on 24 November: "Well, no one can say the customers won't have had their money's worth by now. Prison Story). [11] He convinced Anthony Hinds to rejoin the company, and a revived Hammer Film Productions set to work on Death in High Heels, The Dark Road, and Crime Reporter. In 1972, while working in the Hammer horror film, Dracula A.D. 1972, she Each subsequent movie in the series contains elements that do not relate to (or flatly contradict) the events of the movie that went before, whilst the characteristics of Cushing's Baron vary wildly from film to film, resulting in a series that does not progress as a self-contained narrative cycle. The sets are not marked clearly on the shot headings, neither is DAY or NIGHT specified in a number of cases. Its follow up Hammer House of Mystery and Suspensecontained thirteen mini-thrillers. In 2000, the studio was bought by a consortium including advertising executive and art collector Charles Saatchi and publishing millionaires Neil Mendoza and William Sieghart. Hammer's horror films were often praised by critics for their visual style, although rarely taken seriously. The series was made in association with 20th Century Fox (who broadcast films as Fox Mystery Theater) and as such, the sex and violence seen in the earlier series was toned down considerably for US television. 2. a script for an adaptation of the novel Frankenstein. During the production of Dick Barton Strikes Back (1948), it became apparent that the company could save a considerable amount of money by shooting in country houses instead of studios. In fact, someone will almost certainly have been sick. The leaves fall, and the light shines golden and clear; compared with the well-lit contemporary look of the "angry young men" films, Hammer's mournful sumptuousness must have been even more striking. A decision was made to remodel Down Place into a substantial, custom-fitted studio complex[16] that became known as Bray Studios. Barbara Shelley, best known for her roles in Hammer horror films and Doctor Who, passed away at the age of 88 after contracting coronavirus (COVID-19). [34] 1960 saw the release of the first in a long line of sequels, The Brides of Dracula, with Cushing returning to the role of Van Helsing, though Lee did not play Dracula again until Dracula: Prince of Darkness, released in 1966. 4. (15 Items), Flesh and Blood: The Hammer Heritage of Horror. had not arrived. Once again it starred both Peter Cushing (as John Banning) and Christopher Lee (as Kharis the Mummy), and was directed by Terence Fisher from a screenplay from Jimmy Sangster. Blood from the Mummy's Tomb was a modern-day take on Bram Stoker's The Jewel of Seven Stars and featured Valerie Leon as a reincarnated Egyptian princess, rather than a mummy. In 1946, James Carreras rejoined the company after demobilisation. The Horror of Hammer cast list. "[21], Further revisions were made to the script, and a working title of Frankenstein and the Monster was chosen. Certainly strong cautions will be necessary on shots of blood. In my early teens I went with groups of friends to see certain films. Daniel Radcliffe stars as lawyer Arthur Kipps. 3. See Kinsey (2005) p.86, Universal itself was having financial difficulties at the time. Other Hammer musical personnel included Malcolm Williamson, John Hollingsworth, and Harry Robertson. Director:Terence Fisher|Stars:Peter Cushing, … Hammer moved into the Exclusive offices in 113-117 Wardour Street, and the building was rechristened "Hammer House".[14]. Henry Younger, writer/director of The Curse of the Mummy's Tomb, and director/producer of The Lost Continent Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, … Plans were made to shoot the film in Eastmancolor – a decision which caused worry at the BBFC. Notable examples were: Hammer made a number of swashbucklers, including: Hammer had some success with films set in the British Empire, such as: On 29 May 1968, Hammer was awarded the Queen's Award to Industry in recognition of their contribution to the British economy. [32] The academic Christopher Frayling writes, “Dracula introduced fangs, red contact lenses, décolletage, ready-prepared wooden stakes and – in the celebrated credits sequence – blood being spattered from off-screen over the Count's coffin.”[33] The film magazine Empire ranked Lee's portrayal as Dracula the 7th Greatest Horror Movie Character of All Time. I don't see the point."[41]. He returned for a final time as yet another Van Helsing character (Professor Laurence Van Helsing) for the horror / martial arts crossover The Legend of the 7 Golden Vampires, a movie once again set in a new Dracula timeline. The actress was the star of 1950s and 1960s Hammer Horror films … However, only 1/3rd of Hammer films were horror! It was for The Last Page that Hammer made a significant appointment when they hired film director Terence Fisher, who played a critical role in the forthcoming horror cycle. It was released on 10 April 2014 in the UK and 25 April in the US. THE ACTORS OF HAMMER FILMS. Meanwhile, George A. Romero's Night of the Living Dead (1968) had set a new standard for graphic violence in horror films. Work continued on the script for Dracula, and the second draft was submitted to the BBFC. [40] Hammer's last production, in 1979, was a remake of Alfred Hitchcock's 1938 thriller The Lady Vanishes, starring Elliott Gould and Cybill Shepherd. All the other things I did, nobody remembers those. Sangster submitted his script to the BBFC for examination. Shelley was best known for appearing in Hammer horror movies. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. The expansive grounds were used for much of the later location shooting in Hammer's films, and are a key to the 'Hammer look'. In 1971, she would star alongside horror master Vincent Price in the film The Abominable Dr. Phibes as Victoria Regina Phibes. Hammer Films struggled on throughout the 1970s before going into liquidation in 1979. Christopher Lee returned as Dracula for the following six films, which employed ingenuity in finding new ways to resurrect the Count. Hammer horror and television actor best known for films such as Dracula: Prince of Darkness Barbara Shelley and Christopher Lee in Dracula: … Valerie Leon. You can use the actors in this list to create a new list, re-rank it to fit your views, then share it on Facebook, Twitter or any other social networks you belong to. British TV star Peter Cushing portrayed Baron Victor Frankenstein, and supporting actor Christopher Lee was cast as the imposingly tall, brutish Creature. On 10 May 2007, it was announced that Dutch producer John De Mol had purchased the Hammer Films rights via his private equity firm Cyrte Investments. Also in 2012, Hammer and Alliance Films announced two more films going into production during 2012, entitled The Quiet Ones and Gaslight. While the studio remained true to previous period settings in their 1971 release Vampire Circus, Dracula AD 1972 and The Satanic Rites of Dracula (1973), for example, abandoned period settings in pursuit of a modern-day setting and a "swinging London" feel. and Hammer had broken down when money promised by a.a.p. It was given a limited UK/Ireland theatrical release in March 2011. The Curse of the Mummy's Tomb supported the slightly more prestigious The Gorgon, whilst The Mummy's Shroud was a second feature for Frankenstein Created Woman. At a time when "classic actors" looked down on the horror genre, Shelley was thrilled to have the chance to star in Hammer horror films because they brought her recognition. The project was handed to Tony Hinds, who was less impressed with the script than Michael Carreras, and whose vision for the film was a simple black-and-white 'quickie' made in three weeks. Not only did the script contain horror and graphic violence, but it would be portrayed in vivid colour.[22]. I can think of twenty adjectives — fatuous, pointless, absurd. (1974's Frankenstein and the Monster from Hell, for example, features a scene where the Baron treads on a discarded human brain.). The next two were not period pieces like their predecessors, but had a contemporary 1970s London setting. 10 Best Hammer Horror Movies The greatest output from a studio that redefined Universal Monsters for a pulp audience. The Brides of Dracula did not include Dracula but is still considered part of the series since Peter Cushing reprises his role as Dr. J. The film was directed by Terence Fisher, with a look that belied its modest budget. Hammer consolidated their success by turning their most successful films into series. Not able to afford top stars, Hammer acquired the film rights to BBC radio series such as The Adventures of PC 49 and Dick Barton: Special Agent (an adaptation of the successful Dick Barton radio show). Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. [29] However, recent research suggests that the issue of who exactly funded Dracula is still not entirely clear (see Barnett, ‘Hammering out a Deal: The Contractual and Commercial Contexts of The Curse of Frankenstein (1957) and Dracula (1958)’, Historical Journal of Film, Radio and Television, published online 19 November 2013). Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, who has died aged 88 after contracting Covid-19. Peter Cushing (1913 - 1994) Hammer Credits: The Curse Of Frankenstein, The Abominable Snowman Of The Himalayas, Horror Of Dracula, The Revenge Of frankenstein, The Hound Of The Baskervilles, The Mummy, The Brides Of Dracula, Cash On Demand, The Evil Of Frankenstein, The Gorgon, She, Dracula-Prince Of Darkness (in flashback sequence from Horror … The company soon realised, however, that if they could not be as gory as the new American productions, they could follow a trend in European films of the time and instead play up the sexual content of their films. The series featured a different kind of horror each week, including witches, werewolves, ghosts, devil worship and voodoo, but also included non-supernatural horror themes such as cannibalism, confinement and serial killers. These low-budget suspense thrillers, often in black-and-white, were made in the mould of Les Diaboliques (1955), although more often compared to the later Psycho. Shelley as she appeared in 1964 TV series Rupert of Hentzau. Hammer films had always sold, in part, on their violent and sexual content. Although interested in the script, a.a.p. [2] Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series. The running time varied from 69 to 73 minutes. Peter Sasdy. It found success on the European continent also, where Italian directors and audiences were particularly receptive. [25], Meanwhile, the financial arrangement between a.a.p. The brand is still alive but no one has invested in it for a long time. deal, The Camp on Blood Island and The Snorkel. Hammer Horror Christopher Lee's career is synonymous with the horror genre. Caroline Munro, the British actress who was both a Hammer Horror mainstay and a Bond Girl, was a top onscreen seductress of the '70s. [44][45] It was released in the US and UK in March 2011. According to an article in Variety detailing the transaction, the new Hammer Films will be run by former Liberty Global execs Simon Oakes and Marc Schipper. The early Hammer films offer a last gasp of British romanticism, the solid sets drenched in a soft brilliance of shadows, of greys, reds and blues; when these films stray into the far woods, it's always autumn there, never spring. I have a stronger stomach than the average (for viewing purposes) and perhaps I ought to be reacting more strongly."[20]. Work began almost immediately on the first film, The Public Life of Henry the Ninth at the MGM/ATP studios, with filming concluding on 2 January 1935. He was also concerned about typecasting, and after filming The Satanic Rites of Dracula he finally quit the series. This wiki is about Hammer horror films. Many of these involved classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. The Invisible Man was never produced. They must take it away and prune. The Horror of Hammer cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of The Horror of Hammer. Lee speaks at least one line taken from Bram Stoker in every Dracula film he appeared in, except for Dracula: Prince of Darkness in which the Count does not talk at all (Lee claimed repeatedly he was appalled by his dialogue in that film and refused to speak it, but Jimmy Sangster rebutted that no dialogue was written for the character). Because of its major continuity problems, not only with other films of the series but also within itself, it is often considered not to be a part of the Dracula series, but rather another Hammer vampire film. 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